Romeo uses bright, celestial words to describe his love for Rosaline. Then in act one scene five Romeo changes his mind. When saying this Romeos means that even though he claimed to love Rosaline he has never loved someone as much as Juliet. He says this in a fascinated and loving way.
Dramatic structure[ edit ] Shakespeare shows his dramatic skill freely in Romeo and Juliet, providing intense moments of shift between comedy and tragedy. After his accidental demise, the play suddenly becomes very serious and takes on more of a tragic tone.
Still, the fact that Romeo is banished, rather than executed, offers a hope that things will work out. When Friar Lawrence offers Juliet a plan to reunite her with Romeo the audience still has a reason to believe that all will end well.
They are in a "breathless state of suspense" by the opening of the last scene in the tomb: If Romeo is delayed long enough for the Friar to arrive, he and Juliet may yet be saved.
This only makes it all the more tragic when everything falls apart in the end. Shakespeare also uses subplots to offer a clearer view of the actions of the main characters, and provide an axis around which the main plot turns.
For example, when the play begins, Romeo is in love with Rosaline, who has refused all of his advances. The formal language she uses around Paris, as well as the way she talks about him to her Nurse, show that her feelings clearly lie with Romeo. Language[ edit ] Shakespeare uses a large variety of poetic forms throughout the play.
He begins with a line prologue by a Chorus in the form of a Shakespearean sonnet. Like this sonnet much of Romeo and Juliet is written in iambic pentameter, with ten syllables of alternating stress in each line.
However, the most common form used is blank verse, a more fluid, nonstructured approach, although Shakespeare uses this form less often in this play than in his later plays. In choosing forms, Shakespeare matches the poetry to the character who uses it.
Friar Laurence, for example, uses sermon and sententiae forms, and the Nurse uses a unique blank verse form that closely matches colloquial speech. Each of these forms is also moulded and matched to the emotion of the scene the character occupies. For example, when Romeo talks about Rosaline earlier in the play, he uses the Petrarchan sonnet form.
Finally, when the two meet on the balcony, Romeo attempts to use the sonnet form to pledge his love, but Juliet breaks it by saying "Dost thou love me? Juliet uses monosyllabic words with Romeo, but uses formal language with Paris.
Shakespeare saves his prose style most often for the common people in the play, though at times for other characters, such as Mercutio.
Themes and motifs[ edit ] Scholars have found it extremely difficult to assign one specific, over-arching theme to the play. Proposals for a main theme include a discovery by the characters that human beings are neither wholly good nor wholly evil, but instead are more or less alike, awaking out of a dream and into reality, the danger of hasty action, or the power of tragic fate.
None of these have widespread support. However, even if an overall theme cannot be found it is clear that the play is full of several small, thematic elements which intertwine in complex ways. Several of those which are most often debated by scholars are discussed below.
Love[ edit ] Romeo and Juliet is sometimes considered to have no unifying theme, save that of young love. In fact, the characters in it have become emblems of all who die young for their lovers.
Since it is such an obvious subject of the play, several scholars have explored the language and historical context behind the romance of the play.
This method was recommended by Baldassare Castiglione whose works had been translated into English by this time.
He pointed out that if a man used a metaphor as an invitation, the woman could pretend she did not understand the man, and the man could take the hint and back away without losing his honour.
Juliet, however, makes it clear that she is interested in Romeo by playing along with his metaphor.Oxymoron, Paradox & Juxtaposition Examples in The Tragedy of Romeo and Juliet.
Oxymoron, Paradox & Juxtaposition Examples in The Tragedy of Romeo and Juliet. Oxymoron. Act I, Scene 1 Oxymoron, Paradox & Juxtaposition Examples in The Tragedy of Romeo and Juliet specifically.
for you. for only $/page. Order now. Romeo and Juliet is a tragedy. The two young lovers meet and fall in love, but because of the age-old feud between their families, they are destined for misfortune. Juliet's cousin Tybalt kills Romeo's friend Mercutio.
Romeo kills Tybalt and becomes a criminal. The friar tries to help the couple by having Juliet fake her death. The Tragedy of Romeo and Juliet Words | 4 Pages “The tragedy of Romeo and Juliet” was written by William Shakespeare ().
The plot of this tragedy can be fantastic for modern people, but the feelings, which are so accurately and piercingly transmitted by the author, are real. "Romeo and Juliet" is considered a love tragedy because Romeo and Juliet died due to a sequence of dramatic and distressing acts related to their love for each other.
The play has elements of comedy, though, which serve to . The tragedy of Romeo and Juliet is simply bad luck Essay Sample. Fate is the tragedy of love in Romeo and Juliet and is a driving force that leads to many consequences and uncontrollable tragedy.
The choices that the two lovers make are not bad or lives end with horrible tragedy/death. The tragedy of Romeo and Juliet is simply bad luck Essay Sample Fate is the tragedy of love in Romeo and Juliet and is a driving force that leads to many consequences and uncontrollable tragedy.
The choices that the two lovers make are not bad or lives end with horrible tragedy/death.